Forgotten Realms for D&D 2024: Regions, Factions, Gods, and Magic

Introduction

The 2025 Forgotten Realms books give D&D 2024 a setting with more than place names. Forgotten Realms: Heroes of Faerun is the player book: subclasses, backgrounds, feats, spells, the gods, the major factions, and the magic of the Weave. Forgotten Realms: Adventures in Faerun is the Dungeon Master's book: five fully built campaign regions, adventures, magic items, and monsters.

This guide covers both books in the order a table uses them. It starts with what each book is for, moves through character options, then the five regions with their settlements and rulers, the factions, the gods, and the magic, and ends with how a DM turns all of it into a campaign. Nobody needs to read it front to back before session one. Read the parts that affect your character now and leave the rest for later.

What the Two Faerun Books Cover

The split between the books matters because it tells you where a rules question gets answered.

Setting lore is context. A mythal, a genie court, or the Weave can make a scene memorable without granting anyone a feature. When this guide says something has mechanical weight, it points to the rule that creates it.

Forgotten Realms Character Options

The best setting-specific choice is not always the one with the most setting-specific name. Start with the role you want at the table, then pick the Faerun option that makes that role more interesting in the campaign your group is actually playing. The rules detail lives in the maintained class, background, feat, species, and spell guides linked below. This section tells you what exists and where to go next.

New Subclasses in Heroes of Faerun

Heroes of Faerun adds one subclass for eight classes. Each linked guide has the current evaluation.

Several of these point straight at a region. College of the Moon is the Moonshae druids' teaching passed to bards. Oath of the Noble Genies fits Calimshan. Winter Walker fits Icewind Dale. Scion of the Three draws on the Dead Three, whose cults center on Baldur's Gate. For the story side of Spellfire Sorcery, see Spellfire below.

Faerun Species Lore

Heroes of Faerun does not add new species. It describes how the Player's Handbook species live in Faerun: aasimar and their celestial patrons, dragonborn and the history of Abeir and Tymanther, shield and gold dwarves and the duergar, sun, moon, and wood elves and the drow, rock, forest, and deep gnomes, goliath enclaves, lightfoot and strongheart halflings, humans and their many ethnicities, the orcs of the Kingdom of Many-Arrows, and tieflings in Elturel and Baldur's Gate. Use the D&D 2024 Species Guides for the rules, then use that lore to decide where your character grew up.

Backgrounds and Origin Feats

There are eighteen new backgrounds: ten regional options (Chondathan Freebooter, Dead Magic Dweller, Flaming Fist Mercenary, Genie Touched, Ice Fisher, Moonwell Pilgrim, Mulhorandi Tomb Raider, Mythalkeeper, Rashemi Wanderer, and Shadowmasters Exile), seven faction options (Dragon Cultist, Emerald Enclave Caretaker, Harper, Knight of the Gauntlet, Lords' Alliance Vassal, Purple Dragon Squire, and Zhentarim Mercenary), and Spellfire Initiate. They do not gatekeep anything. A background is a character origin or training story, and its feat should suit the build and the campaign.

The eight new origin feats match the faction and spellfire backgrounds: Cult of the Dragon Initiate, Emerald Enclave Fledgling, Harper Agent, Lords' Alliance Agent, Purple Dragon Rook, Spellfire Spark, Tyro of the Gauntlet, and Zhentarim Ruffian.

• Compare all eighteen backgrounds in the D&D 2024 Backgrounds guide.
• Compare the eight origin feats in the D&D 2024 Origin Feats guide.

To turn a faction background into a contact, a job, or a party hook, use Make a Faction Tie Work at Session Zero further down.

General Feats and Epic Boons

Heroes of Faerun prints thirteen general feats at level 4 or higher: Cold Caster, Dragonscarred, Enclave Magic, Fairy Trickster, Genie Magic, Harper Teamwork, Lordly Resolve, Mythal Touched, Order's Resilience, Purple Dragon Commandant, Spellfire Adept, Street Justice, and Zhentarim Tactics. Several of them build on a faction origin feat. Dragonscarred, for example, requires Cult of the Dragon Initiate, and Enclave Magic requires Emerald Enclave Fledgling. Genie Magic is the most broadly useful: it gives a character a daily level 1 Sorcerer spell that scales at levels 11 and 17.

It also adds thirteen epic boons for level 19 and up, including Boon of Fortune's Favor, which lets you reroll a failed saving throw once per round. That is the kind of feature that matters when one failed save ends a fight.

• D&D 2024 General Feats guide
• D&D 2024 Epic Boons guide

Forgotten Realms Regions

The Forgotten Realms is large enough to support nearly any kind of D&D campaign, but that helps only after you choose where the first session takes place. A region decides what the party sees every day, what problems feel normal, how far away help is, and what kind of character history makes sense. A snowy road, a desert market, an island harbor, and a crowded city are all Forgotten Realms play, and they produce very different first adventures.

Adventures in Faerun gives five regions full chapters. Each entry below starts with the player-facing view (tone and the kind of character that fits) and then gives the gazetteer detail a DM needs: named settlements, rulers, and the conflicts that drive play.

Quick Region Comparison

How to Choose a Region Without Overthinking It

Ask the table three questions before anyone writes a backstory.

First, what do you want the party to be doing most weeks? If the answer is "helping a place that knows our names," start in the Dalelands. If it is "getting somewhere dangerous before supplies run out," Icewind Dale has that structure built in. If the group wants to bargain, investigate, get invited somewhere they should not be, or make enemies with influence, Calimshan and Baldur's Gate put people close together. The Moonshae Isles work when the table wants travel to be an event rather than a line skipped between scenes.

Second, decide how much hardship is fun. This is a tone choice, not a test of toughness. Icewind Dale makes cold, shelter, food, and a bad route part of the story. The Dalelands can include hard travel but start from farms, roads, and settled communities. In Baldur's Gate the pressure is usually social: who can open a door, who is owed money, and who noticed what the party did.

Third, decide what the group wants to know at the start. A local in the Dalelands may know the next village and still not know what waits in a ruined tower. A visitor to Calimshan can understand that trade and magic shape life there without knowing every custom. Give the GM a short usable answer. "I grew up near the harbor and know how to read a storm" is more useful than three pages of family history nobody can act on.

You can also choose by campaign promise. If the game is about protecting a home, choose a place your character would miss. If it is about a dangerous expedition, choose a reason your character would go even after hearing the warnings. If it is about a city, decide what your character wants from it: safety, status, work, justice, anonymity, or a chance to become someone else.

The Dalelands

The Dalelands are the answer when the group says, "We want D&D." Adventures in Faerun describes forest vales and rolling farmland linked by narrow trade roads, the breadbasket of the Heartlands, living beside the ancient forest of Cormanthor. It has the familiar ingredients of fantasy without feeling generic: a village needs help, a forest road turns dangerous, and a ruin sits close enough that ordinary people have opinions about it.

For players, the value is scale. A character can begin with a believable local life: helping with a harvest, guarding a road, repairing tools, carrying messages, or learning stories about the woods from someone who expected them to stay home. None of that stops the campaign from growing. It gives the first adventures a human baseline, so the party knows what is at risk.

The region suits a mixed party. A fighter can be a local protector without a military rank. A rogue can know which travelers are honest and which roads are watched. A wizard can be drawn to old magical places. A cleric or paladin can serve people rather than an abstract cause, and a druid or ranger has room to care about the line between farms, forest, and ruins. Missing travelers, a disputed boundary, a market day interrupted by trouble, or a ruin attracting the wrong visitors all feel at home here. The party is not saving the world in session one. They are deciding whether to help people they will meet again.

Choose one anchor for a Dalelands character:

• A place: a farm, hamlet, roadside inn, workshop, shrine, or patch of woods where someone will recognize you.
• A skill: you know a safe route, a local trade, useful stories about a ruin, or how to make strangers welcome.
• A concern: you want to protect a family, settle a debt, prove a warning was real, or learn why a trusted place has changed.

Avoid making every Dalelands character secretly chosen by ancient magic. The region gets more out of ordinary people deciding to act. A former shepherd who keeps showing up when trouble starts can carry a campaign as well as a noble heir.

The Dales Compact and Myth Drannor. The first Dalefolk were refugees who settled beside Cormanthor under the Dales Compact, an agreement with the forest's elves: settle the forest's edges, and do not cut deeper. The elves opened Myth Drannor to them, and the city became the greatest in Faerun before it fell centuries ago. Elves restored it about a century ago, but in 1487 DR the Shadovar flying city of Thultanthar crashed into it and the city's mythal failed again. Myth Drannor is now an abandoned megadungeon full of dead magic zones and broken experiments, not a place ordinary Dalefolk visit. Most remaining forest elves live at Semberholme and Tangled Trees.

Eleven dales. The book counts eleven dales today, each with its own government (or none), militia, and character. Every Midwinter each dale sends a delegate to the Dales Council, held in a chosen town. Scardale's Lord Kharu Aumersair is renovating Harborwatch Keep because he wants Scardale Town to become the council's permanent host.

Shadowdale carries one more detail. Elminster, the archmage and former Chosen of Mystra, lived for centuries in a converted windmill locals call his tower. It has stood locked and empty for a decade. A few times a year someone sees a figure moving inside, always gone by morning, and nobody treats his absence as proof he is dead. The halfling priest Marigold Gambol, who runs the House of the Lady temple to Tymora, now considers herself the dale's chief protector.

Moander, the regional threat. About 150 years ago the hero Alias accidentally woke Moander, god of corruption and rot, and then defeated him; the path he tore through the forest is now Moander's Road. His corpse rotted in Cormanthor for decades, but he returned in the Second Sundering. His worst foothold is the Rotting Gorge in Deepingdale, and Archendale's Arch Wood hides ruins infested with his minions. See Moander, God of Rot for how characters can have a stake in that fight. The Zhentarim and the Red Wizards of Thay keep quiet footholds across the dales, and Sembia is a rival on more than one border.

The Dalelands also make a good opening for a campaign that will travel later. Roads and trade bring visitors and rumors, and once the party has earned trust, a caravan job or a threat that crosses borders can take them anywhere in the Realms.

Icewind Dale

Icewind Dale is for a table that wants the environment to matter. The far north brings together the settlements of Ten-Towns, severe wilderness, and the sense that a bad decision can get worse before anyone reaches help. The book frames it around survival horror, Underdark excursions, and weird tales. It needs an honest group conversation first. The fun is not in tracking every crumb of food. It is in deciding what the party risks when warmth, shelter, information, and a reliable road are not guaranteed.

A good Icewind Dale character respects preparation. A city-raised scholar fits if they are serious about the expedition. A bard can keep a frightened group moving. A cleric can be a source of steadiness. A rogue can be a scout, smuggler, or hunter who learned that a quick exit is not always possible in a storm. Each player should give the group one practical reason to keep them along.

The region rewards details that become choices. Does your character know how to repair cold-weather clothing? Who taught them which signs mean a storm is turning? What do they do when a stranger asks for shelter? Are they from one of the towns, passing through on business, hunting for knowledge, or leaving something behind?

Playing an isolated character is different from playing one who isolates the table. Icewind Dale supports suspicion, fear, and hard choices, but the party still needs to act together. Give even a guarded character a reason to share supplies, take a watch, or go back for someone in trouble. Magic helps the party survive and improvise, but it does not erase the fact that home is far away.

When you choose this region, tell the GM what kind of danger interests you. Some groups want tense travel without graphic horror. Some want mystery more than combat. Some enjoy managing resources, while others want the fiction of scarcity without detailed accounting.

Ten-Towns. Ten settlements sit around three lakes, and each elects its own speaker. The speakers meet irregularly in Bryn Shander, the only town not on a lake, and have little use for each other. The biggest industry is fishing for knucklehead trout, whose ivory-like bones become scrimshaw that sells well in the south.

The Reghed. Nomadic, mostly human tribes follow the caribou in small camps and band together only in crisis or for exceptional prey. Five main tribes exist. The Bear has split into traditionalist Standing Bear and chardalyn-seeking Raging Bear. The Elk is the largest and most tolerant of outsiders, and its hunters trade in Bryn Shander and Easthaven. The Owl formed from outcasts, and a duergar lord has lured it into the melting Underdark in exchange for a share of its discoveries. The Tiger and Wolf tribes are small, dangerous, and near extinction. A caravan guard, trapper, or scout can know any of them by reputation.

Auril and the deep. Auril's influence is covered in Auril the Frostmaiden. In practice it shows up in frost druids, a secret sacrificial cult led by Yldreth's lieutenant in Caer-Dineval, and the Abolishers, who want every shrine and amulet of Auril destroyed. Below the ice, an ancient entity called Zlan has opened new steam vents into the Underdark, and earthquakes shake the dale. Kelvin's Cairn and the frozen ruins around it complete the list of dangers.

Calimshan

Calimshan offers a different pressure. Adventures in Faerun calls it the land of wonders, one of the wealthiest nations in Faerun, where travel, wealth, magic, reputation, and competing interests all carry weight. Calimport is the focal point, but desert routes, busy markets, and genie courts mean a promise can matter as much as a weapon.

This is a strong choice for players who want social competence without a courtly stereotype. A merchant's child may spot a bad deal. A courier knows who needs a message delivered fast. A performer moves between neighborhoods and hears what officials miss. A scholar is drawn to the region's magical history. A guide knows that a traveler who ignores the heat or local custom becomes everyone else's problem.

Calimshan can handle an ambitious party, and ambition works best with a limit. Decide what your character will not do to get ahead: betray a friend, exploit a desperate person, or make a deal they cannot explain to the party. That boundary lets the group trust each other when pressure rises.

For a player new to intrigue, keep it simple: one contact, one place your character understands, and one thing they want. The contact might be helpful, unreliable, or both. You do not need five secret factions in your backstory. Travel here also has stakes. A caravan brings strangers with competing goals, and a stop for water or news can become the scene where the party learns what is really happening. A Calishite character who knows the area should share that knowledge in play, and a visitor should bring a reason to stay involved after the first market.

Genies and the Calimemnon Crystal. Calimshan's history reaches back almost ten thousand years, and genies built its social order long before mortals ruled. Four genie factions now live alongside mortals and keep their old rivalries: the efreet of Gozva Ka, the Shimmering Oasis; the marids of the coral palace of Maran Saya; the dao of Olympus Dag in the Marching Mountains; and the djinn of the cloud pavilions of Burin Bir. All of them covet the Calimemnon Crystal, the Artifact that imprisons the genie lords Calim and Memnon. The magic used to imprison them created the Calim Desert.

Sultana Songal. A generation ago Syl-Pasha Zengel discovered that a necromancer cabal, the Twisted Rune, had secretly steered Calimshan for centuries. The cabal turned one of his sons against him, and the royal family was murdered. Only his daughter Songal, a young wizard, escaped. With genie aid she claimed the Staff of Life and Death, raised a dragonborn army, and broke the Twisted Rune in the Night of Fleeing Shadows. As sultana she outlawed slavery and enacted popular reforms, and her Dragon Guard of dragonborn warriors watches the Palace Ward. She also backed the Mechanical Wonders, clockwork devices first designed by the rock gnome inventor Deryan Kaya, so ordinary Calishites can solve problems without genie magic.

Calimport's wards. The city is divided into many wards. These are the ones adventurers visit most:

Beneath the city runs the Muzad, a maze of tunnels that hosts the Shadow Bazaar, a roving market run by the Night Wisp gnome crime family. Outside the capital, the old enchanted highway of the Trade Way runs north to Memnon, the City of Soldiers, once the capital of the efreeti Memnon's empire and now a mortal-ruled military and trade hub.

The Moonshae Isles

The Moonshae Isles are for groups that want water on the map. Island communities, storms, moonwells, druids, fey, and a spreading curse give the region its identity. A voyage can be a simple crossing one week and the central problem the next. The coast shapes schedules, trade, safety, food, news, and who can arrive without warning.

The key player question is not "Can my character sail?" It is "What does home mean to them?" An islander may know every inlet near their village and feel lost in a city. A sailor may be at ease on deck and restless ashore. A druidic initiate may treat a threat to the land as a personal responsibility. An outsider may have come for a quieter life or a fresh start. Each option gives the character a reason to care when the islands are threatened.

The Moonshaes suit a party that likes consequences that linger. In a small community, people remember who helped in a storm and who started a fight at the dock. A favor matters later, and a suspicious person can become an ally after seeing what the party does when nobody is watching. Sea travel also lets the GM change pace: one island hosts investigation, the next a wilderness trek, and a crossing becomes a survival scene. A strong Moonshae character cares about at least two of those modes.

Fey and druidic elements work best as invitations to discover. Your character can respect an old place without knowing its secrets and can follow local tradition without claiming authority over everyone else who practices it. Storms change plans, boats arrive late, and messages can be days old, so a reliable navigator, a careful healer, or someone who stays calm under pressure is worth having along.

Peoples and rulers. Giants settled the isles first and founded Ostoria, then elves, then humans and others. The two main human cultures are the Ffolk of the southern isles, who value law, craft, and learning and worship the Earthmother, and the seafaring Norlanders. They fought wars in the past and now live in peace. The Ffolk Kendrick family has ruled for over a century. A century ago two invasions struck at once: the archfey High Lady Ordalf claimed Gwynneth, and the nation of Amn seized land for its resources. When Amn's forces caused the death of High King Derid Kendrick's son Owaren, Derid and Ordalf allied, and Ordalf's son married Derid's daughter. Their daughter, Princess Caitlyn Kendrick, is heir to both thrones. Now in his sixties, Derid wants to unite the isles in peace.

The Moonshaes have seven major islands and more than a hundred smaller ones, some of which move or vanish into the Feywild. These six carry the most campaign weight:

The Rusting. During the Amn invasion the vampire Erliza Daressin took Snowdown. Tarilyn Kendrick destroyed her, but the vampire's dying words became a curse. The Rusting first appeared at Snowdown's only moonwell, turning its water to oil and its stones to rust. It grows as a thin iron coating over victims, turns wilderness into metal scrap and people into Constructs, and drives the Rusted to despoil nature and spread the curse. Their self-proclaimed Queen Forfallen sails the isles as a pirate. The book calls the Rusting an existential threat: if it reaches Gwynneth's moonwells, even the Earthmother could be in danger. See The Earthmother for the faith side. Fairy trods, magical shortcut paths, connect places for anyone who can find and survive them.

Choose the Moonshae Isles when the table wants close communities, changing scenery, and more travel friction than a road-based game. Even a group that dislikes sailing can start on one island and keep crossings short.

Baldur's Gate

Baldur's Gate is the pick for a party that wants people, institutions, money, and reputation close at hand. The book frames it as gritty urban fantasy where everything has a price and characters are often morally ambiguous. A city campaign does not have to be only about crime. It can be about work, family, justice, art, faith, invention, and the fact that different parts of the same city live by different rules.

The easy mistake is to make every Baldur's Gate character a lone criminal with a secret. One can work. A whole party of them makes it hard to build a group. Start with a public role instead: dockworker, clerk, neighborhood regular, apprentice, temple helper, former guard, investigator, courier, or a young person escaping a family expectation. Then add one private complication if it helps.

Wants should be specific enough to cause movement. "I want wealth" becomes "I want enough money to keep my sibling's business open." "I want justice" becomes playable when you know who was harmed and what official route failed. Build every character with one place where people know them and one place where they do not belong. The first might be a block, dock, shrine, or tavern. The second might be a wealthy district, an official building, or a rival neighborhood.

The city gives a campaign rhythm: a home base, recurring allies, problems that develop between adventures, and jobs outside the walls that come back with consequences. Choose Baldur's Gate when the group wants its main obstacles to be people as often as monsters. It suits morally complicated stories without requiring grim characters.

Three walled districts. The city's layout makes its social divisions physical. The Watch, the Flaming Fist, and the other institutions that run it are covered in Baldur's Gate Power Structure.

• Upper City. Behind the Old Wall, home to the patriars and the seats of power. At dusk the Watch ejects everyone who lacks a Watch token. Landmarks include High Hall, a castle of polished yellow marble that seats the government, and the Wide, the only place city law allows outdoor sales.
• Lower City. Most working Baldurians live here, around Gray Harbor, one of the busiest ports on the Sword Coast. The Seatower of Balduran, the Flaming Fist's fortress, juts into the harbor.
• Outer City. The slums, where refugees and poor residents make what homes they can and the Fist rarely patrols. Basilisk Gate is the main gate into the Lower City, and the Fist's fortress at Wyrm's Rock raises the bridges of Wyrm's Crossing at night.
• The Sewers. A network under all three districts that nobody has fully mapped. It even hides Dalliance Down, a nightclub for wealthy Upper City residents that can only be reached by gondola through the sewers.

Using the Faerun Gazetteer at the Table

The gazetteer detail above is reference material, not homework. A player needs one or two names their character would plausibly know. A Dalelands character might know the Old Skull Inn by reputation. An Icewind Dale character might have traded with the Tribe of the Elk. A Calimshan character might have grown up in the Dock Ward. A Moonshae character might come from a family that fled Snowdown's blight. A Baldur's Gate character might have a foothold in exactly one district and nowhere else. The DM can use the rest to seed hooks, name-drop a local figure, or decide what a rumor is really about.

Give Your Character a Regional Hook

Once the table has chosen a region, write one sentence that ties your character to it and one that points them toward the party. Try one of these:

• "I know a person or place in this region, and I cannot ignore the current problem."
• "I came here for a practical goal, but the party is my best chance to do something I could not do alone."
• "I am trying to leave behind an old role or mistake, and this region keeps asking me who I am now."
• "I can help the group with a local skill or connection, but I need their help with a danger bigger than my usual life."

A Dalelands ranger might know a damaged trail that people they love still use. An Icewind Dale scholar might need companions who can get them to a research site alive. A Calimshan bard might carry a message along a route that has become unsafe. A Moonshae cleric might serve a community that cannot spare anyone else. A Baldur's Gate fighter might be protecting a friend whose problem has outgrown one person.

These hooks are ordinary on purpose. They give the GM something to use without making your character the owner of the campaign's biggest secret. A regional hook should sharpen a build rather than trap it: a wizard from a fishing village, a paladin from a trade city, or a rogue from a remote northern settlement all work when the player knows why the contrast exists.

Use Region as a Campaign Tool, Not Homework

Players do not need to carry the setting. The GM may know far more about the region than the party, and that is normal. Your job is to give the campaign a few handles: a place you care about, a kind of trouble that catches your attention, and a reason to stay with the others.

That keeps lore from becoming a barrier. You can say, "My character grew up around these woods and knows which old stories locals take seriously," without knowing whether every story is true. You can be from Baldur's Gate without knowing every district, or travel through Calimshan without pretending to speak for a culture you only just met. Ask the GM for what your character would reasonably know and let play reveal the rest.

When a campaign changes regions, keep one thread from the first. A Dalelands party gets a letter from home. A Calimshan contact makes a request from far away. A Moonshae crew waits for the party's return. That thread makes travel feel like a widening story. The regions also move the spotlight: the city-born character leads in Baldur's Gate, the sailor in the Moonshaes, the northern local in Icewind Dale.

Non-Spoiler Preparation for Players

Before session zero, ask the GM only what you need to build a playable character:

• Which region is the opening location, and is the party local, arriving, or mixed?
• What stories should we expect most often: investigation, exploration, travel, political pressure, survival, or a blend?
• How dangerous should the region feel at first level?
• What does an ordinary person here worry about this month?
• Is there a local organization, job, community, or event that could bring the party together?

These questions ask about starting conditions, not hidden answers. Agree on tone as well. A wilderness story can be adventurous without being bleak. An urban story can include crime without asking players to portray cruelty. A desert journey can be about discovery rather than conquest. The group decides what kind of play it wants, then uses the region to support it.

Forgotten Realms Factions

Factions make the Realms feel connected. They give a character a person to call, a job that found them, a community they care about, or a problem that follows them between regions. They should not make one player the owner of the campaign. The useful question is not "Which organization has the best benefits?" It is "What connection gives this character something to do with the party?"

Heroes of Faerun describes eight major factions, each with goals, leadership, renown rewards, member benefits, and a special Bastion facility: the Cult of the Dragon, the Emerald Enclave, the Harpers, the Lords' Alliance, the Order of the Gauntlet, the Purple Dragon Knights, the Red Wizards, and the Zhentarim.

Choose the Job Before the Name

Start with the part your character plays. "I carry messages for people who need them delivered quietly" gives the GM more than "I am a Harper." "I learned trailcraft from Enclave scouts" beats "I support nature." Then pick the faction that makes the role make sense.

The last three are not default hero organizations. "Former Zhentarim courier trying to make things right" is a party hook. "Secret cultist who may betray everyone" is usually a burden unless the whole table wants that story.

Faction Relationships

The book's Faction Attitudes table sets default attitudes between the groups: Friendly for allies, Hostile for rivals, Indifferent otherwise. In short, the Harpers, Emerald Enclave, Lords' Alliance, Order of the Gauntlet, and Purple Dragon Knights mostly cooperate, all of them are hostile to the Cult of the Dragon, and the Zhentarim count the Cult and the Red Wizards as friends. The book notes that individuals can be exceptions.

Treat those defaults as starting conditions, not commands. Two people in rival groups can cooperate because a town is in danger. Two people in allied groups can disagree because their local duties conflict. An individual is not a faction chart.

For a party with several faction ties, agree on one shared priority before play: protect a community, investigate a larger threat, keep a route open, repay a shared debt, or stop someone who hurt several of you. That priority needs to outweigh the organizations' default attitudes. It also helps the GM, who can introduce one contact, one request, and one complication instead of juggling eight institutions. A Harper message leads to an Enclave problem. A Lords' Alliance official needs information only a Zhentarim contact can get.

Heroic Faction Connections

Emerald Enclave

The Enclave's druids and survivalists keep the balance between nature and civilization. That does not mean every member is a Druid or wants cities gone. A practical Enclave character knows which road threatens a nesting ground, which village needs help after a flood, or why a logging dispute is turning dangerous. Give the connection a place: a forest you trained near, a pass you guided travelers through, or a community you helped through a bad season. The Dalelands, Icewind Dale, and the Moonshae Isles all give such a character reasons to care about the land without preaching at the party.

Harpers

The Harpers work through information and people. A Harper character might know a song that opens a conversation, carry a message, notice when someone is being pushed around, or have a contact in the next town. Do not treat the Harpers as a source of perfect secret knowledge. A low-level character should have one useful contact or a past job. A message that arrived late, an old friend who needs help, or a promise made on the road is enough to create scenes. The Harper Pin suits this kind of character.

Lords' Alliance

The Alliance joins cities across western Faerun in pursuit of prosperity. For a player, that can mean an ordinary job: a guard who understands city rules, a clerk who knows permits and records, an envoy's assistant, a caravan escort, or someone whose home depends on stable trade. It is a strong tie for Baldur's Gate and other urban play, and Moonshae High King Derid Kendrick is a member and patron of its agents. A local official can ask the party to find a missing courier, settle a trade dispute before it turns violent, or carry proof that another city needs to act.

Order of the Gauntlet

The Order's zealous warriors smite evil. A player-facing version should begin with service rather than certainty. Perhaps your character escorted travelers, protected a shrine, or learned discipline from a veteran. Write a boundary: what will your character refuse to do even to defeat someone dangerous? Will they listen to evidence, protect a prisoner, or accept help from people they dislike? A clear answer keeps conviction from overruling the rest of the party.

Purple Dragon Knights

The Purple Dragon Knights are Cormyr's elite warriors. A character does not need to be a famous knight to have a connection. They could be a former soldier, a trainee who washed out, a relative of someone in service, a guide who works with patrols, or an outsider who owes a Cormyrian contact a favor. Use the tie for duty, training, and history, especially for a character who has learned that orders do not solve every problem.

Riskier Faction Ties

The Cult of the Dragon, the Red Wizards, and the Zhentarim are useful parts of the setting, but they ask for more care. Their goals and reputations create immediate distrust, which works as drama only when everyone agrees it will not become a reason to sabotage play.

Zhentarim

A former or adjacent Zhentarim tie works for a merchant, guard, courier, fixer, or someone who learned how easily a job becomes exploitation. The character may still have a contact who can get information or arrange travel, but that contact should have a cost and a limit. Make the direction clear. Are you trying to get out? Using old skills for better work? Did a friend stay inside? Is someone about to call in a favor?

Red Wizards

Red Wizards are based in Thay with enclaves across Faerun, including one in Scardale Town and another in Calimport's Wizard Ward. The tie works for a character who has seen the cost of reckless study, escaped an unhealthy mentor, or investigates Artifacts. Do not give a new character a private Artifact or high rank. Give them one piece of practical knowledge and a reason they cannot solve the problem alone.

Cult of the Dragon

The Cult is usually best as an enemy. A character connection can come from surviving a cult operation, investigating a missing friend, carrying evidence, or trying to stop someone they trusted from joining. If the GM approves an infiltrator or former member, write the exit first: why they left, what they fear, and why they will choose the party over the cult.

Baldur's Gate Power Structure

Adventures in Faerun details the forces that run Baldur's Gate, and in a city campaign they matter as much as the eight setting-wide factions.

Council of Four and the Watch

The Council of Four, three dukes and a grand duke, enacts laws, directs the Flaming Fist and the navy, and collects taxes. Grand Duke Ulder Ravengard rose to be supreme marshal of the Flaming Fist, and he broke with tradition by keeping that command after his election. The Parliament of Peers, fifty politicians who are mostly patriars, advises the council and meets in High Hall. It cannot pass laws, but the council usually follows its recommendations, and intrigue there is fiercer than anywhere else in the city.

The Watch is paid for by the patriars and guards the Upper City and the Old Wall. Its members see themselves as elite forces, and in practice they are the patriars' bodyguards. A Lords' Alliance or Order of the Gauntlet character tied to the Watch has to reckon with whose order it keeps.

The Flaming Fist

The Flaming Fist is the mercenary company the council pays to police the city, based at the Seatower of Balduran. With Ravengard stretched between two jobs, it has slid further into oppression and brutality. It favors citizens it knows and those who look wealthy, and the poor can be flogged, fined, or jailed for standing near a crime scene. It is most active in the Lower City, where it is least welcome. A former-Fist character works like a Zhentarim tie: give the GM a reason your character left and a limit on what the old job still means to them. The Flaming Fist Mercenary background supports this.

Patriars and Commoner Crews

Patriars are the city's old nobility, living in Upper City manors and competing for status through rumor, secrets, and displays of wealth. Some have darker ties, which is a good thread for a character investigating corruption from the inside.

Commoner crews are the counterweight: neighborhood and trade associations that look after their own when the Watch and the Fist will not. The Harborhands, a dockworkers' crew, is the most powerful, and a strike can shut down river trade. A crew tie comes with mutual obligation, which makes it a strong alternative to a setting-wide faction for a character whose loyalty stays local.

The Guild

The Guild, led by the nondescript Nine-Fingers Keene, is the city's main criminal syndicate and thrives in the Lower City. To blunt vigilantes and crews, Keene insists on a lighter touch against hardworking locals and aims the Guild's schemes at visitors, nobles, and anyone who interferes. A kingpin controls Guild crime in each neighborhood. Treat a Guild tie with the same care as a Zhentarim tie. The Zhentarim also have a strong hold on the city through their links to Bane's cults.

The Dead Three Cults

Bane, Bhaal, and Myrkul were evil mortals who became gods. By dying during the Time of Troubles and rising again as quasi-divine beings, they found a loophole that let them stay in Faerun when other gods were forced to withdraw, and their cultists gather in and beneath Baldur's Gate. Bane's cultists join institutions such as the Flaming Fist and abuse the authority they gain. Bhaal's work in secret and stage terror-inducing murders. Myrkul's revere secrets and treat corpses and spirits as tools. The book suggests the strongest version of this story is the three cults working together toward one plan, with a Dead Three Scion as the final villain. See The Dead Three in Baldur's Gate for the faith side.

Make a Faction Tie Work at Session Zero

Write three short answers:

1. What did I do for or with this faction? A job, favor, training, family connection, or local service.
2. Who knows me? Name one person, even if the GM changes the details.
3. Why does the party come first? A direct reason you will share information, take risks, and not turn a private tie into a veto.

For example: "I carried messages for a Harper contact in my home city. My old teacher knows I am reliable. I joined the party because they showed up when the contact disappeared." That is all the setting detail a campaign needs to begin. The Eberron guide applies the same approach to a different setting.

Forgotten Realms Gods

Faith in the Forgotten Realms is part of daily life, not a character-sheet test. Heroes of Faerun says the average person worships different gods in different contexts: farmers make offerings to Chauntea, and a farmer who favors her might still pray to Amaunator for a few sunny days. A sailor can respect Selune and still make a sacrifice to Umberlee before a crossing. That gives players an easy way to add setting texture without playing a theologian.

Start with what your character hopes for, protects, fears, or does every day. A god can become a habit, a community tie, a personal standard, or a source of disagreement. It does not have to define a class, grant a benefit, or explain every decision.

Faith Is Practical

Most people have a favored god and still acknowledge others when work or circumstance calls for it. People even pray to cruel gods such as Beshaba or Umberlee to keep them away. That is the player-friendly default: choose a deity whose values fit, then join in local customs when the party arrives somewhere new.

This table is not a list of required classes. A paladin can care about art. A rogue can make sincere offerings before a voyage. A wizard can distrust Mystra's institutions and still respect the Weave.

Choose a Faith Hook, Not a Biography

The most useful religious detail is one the GM can put in a scene. "I worship the god of justice" is a start. "I promised my old teacher I would bring evidence, not revenge, when someone harms an innocent" is a hook. It shows how the character will act when conflict arrives and leaves room for the campaign to test that belief.

Pick one of each:

Keep the practice small enough to use. A ranger sets aside water at a forest shrine before entering an unfamiliar wood. A merchant makes an offering to Waukeen before a deal and feels uneasy when profit hurts a friend. A follower of Tempus may not seek war but believes a fight must be faced honestly once it starts. A grieving character who respects Kelemvor insists the dead receive names and care.

Give the character a habit that is not optimized. A person can pray for luck and still plan carefully. A devout character can doubt a priest, dislike a temple's politics, or feel angry after a tragedy.

Favored Deities for Common Character Ideas

Start with the job or pressure your character already has, then pick a god whose domain gives it weight.

Chauntea: Home, Food, and Ordinary People

Chauntea is the god of agriculture, worshiped by farmers, gardeners, and homesteaders. She fits a character from the Dalelands, a farming family, or any place where a bad season changes every decision. A guard who protects a harvest road or a bard raised on seasonal festivals can care just as much. At the table, a Chauntea hook notices food stores, asks who will be left behind in a crisis, and defends places others dismiss.

Tymora: Luck, Courage, and Bad Odds

Tymora, god of good fortune, suits gamblers, Harpers, merchants, and Rogues. A Tymora connection should not excuse reckless choices for the party. It works better as a private ritual: a coin spun before a hard decision, a habit of giving a stranger one more chance, or a belief that luck is something you share. The party's cautious planner may find it irritating, which is a personal conflict that does not force anyone else to play by your superstition.

Mystra: Magic and Responsibility

Mystra is the god of magic and the keeper of the Weave, worshiped by anyone who uses magic. She is natural for Wizards and Sorcerers, but a fighter once saved by a ward or a rogue who learned magic is no shortcut can have a relationship with her too. Use a Mystra hook to ask how your character handles power: careful study, resentment of those who get it easily, or fear of what people did at old magical sites.

Tyr, Torm, and Amaunator: Law, Duty, and Keeping Your Word

Tyr is the god of justice, worshiped by judges and law enforcers. Torm is the god of courage and self-sacrifice, favored by guardians and knights. Amaunator rules both the law and the sun and cares about keeping promises and maintaining order. None of them requires a Paladin. Choose one practical standard: you do not sign an agreement you cannot keep, you make sure a prisoner is treated fairly, or you are trying to repair a promise you broke.

Religious institutions complicate this in a good way. A temple may witness agreements or give people a place to ask for help, and it can also be wrong, compromised, or caught between law and mercy. Your character can respect the ideal while questioning the people who claim it.

Selune and Umberlee: The Sea, Night, and Dangerous Travel

Selune, god of the moon, is worshiped by sailors, spellcasters, and lycanthropes. Umberlee, god of the sea, is worshiped by coastal folk and sailors, often to avert her wrath. In a coastal campaign an ordinary person might honor both. That makes them someone who knows the water is bigger than they are. The pair fits the Moonshae Isles or any voyage: a family charm, a refusal to speak too confidently about calm weather, or responsibility for someone who has never sailed.

Kelemvor and Ilmater: Death, Suffering, and What People Owe Each Other

Kelemvor is the god of the dead, favored by funeral workers and the dying. Ilmater is the god of endurance, worshiped by the oppressed and the poor. Both give strong hooks to a healer, a veteran, a survivor, or someone who refuses to let others be treated as disposable. Neither requires a solemn character. What matters is the action they take when someone is hurt or grieving: making room, bringing help, or refusing to leave a body unnamed.

Shrines, Temples, and Clerics

Heroes of Faerun treats temples and shrines as the core religious institutions, and temples do not usually hold regular public services. Group observances happen at festivals, and priests go out into the community for marriages and funerals. Shrines are common, usually unstaffed, and kept up by the locals and travelers who use them; one might be a roadside well where merchants drop a coin for Waukeen. Traveling priests visit these sites, and families and businesses keep personal shrines.

That gives a player several ways in:

• Temple regular: you know who works there, what it does for the community, and where people go for help.
• Shrine keeper: you clean, repair, or quietly maintain a place others use.
• Festival participant: you enjoy the public side of faith: food, music, processions, trade, and reunions.
• Private observer: you keep a personal habit and want no institution involved.
• Skeptical insider: you grew up around a temple and now disagree with how it uses its influence.

Most priests are not Clerics. The book describes priesthood as a vocation learned through apprenticeship and ordination, while the gods grant power to Clerics and other divine casters as they see fit. A character can have a temple background without casting a spell, and a Cleric's calling can come from a temple, a grove, a mentor, or somewhere they still do not understand. That keeps every religious NPC from being a spellcasting authority and every Cleric from being a temple employee.

Regional and Antagonist Deities

Some gods are tied to a region as an active threat. Knowing them helps a character react to local fear and local heroism instead of a generic evil cult.

Moander, God of Rot

Moander, god of corruption and rot, wants nothing less than the corruption of the world, and in the Dalelands he corrupts Cormanthor and hungers for Myth Drannor's magic. His creatures include blights, Shambling Mounds, oozes, and Spores of Moander. A Dalelands character does not need to be a cultist to have a stake: a ranger watching the forest roads for blight, a farmer whose land borders the corruption, or a Chauntea devotee who sees Moander as the enemy of everything she protects.

Auril the Frostmaiden

Auril, god of winter, once hid the sun over Icewind Dale and brought an endless winter. Her influence lingers in frost druids, in cultists reviving human sacrifice, and in the Abolishers, who say every shrine and rite to her keeps her power alive. That makes Auril worship a local conflict as well as a monster problem. An Icewind Dale character can be a reluctant placater (the way sailors appease Umberlee), an Abolisher who lost someone to the long winter, or caught between the two.

The Earthmother

The Earthmother is the divine embodiment of the Moonshae Isles and their people: when life there flourishes, so does she. Druids are her chief servants, and Ffolk, Norlanders, elves, and fey all revere her. She has no churches or temples. Her rites happen at moonwells, sacred springs ringed by standing stones, each a direct connection to her. Pollution and plunder harm her, and the Rusting has corrupted moonwells she feels as bleeding wounds. A druid guarding a moonwell, a Ffolk defender watching the curse spread, or an outsider who stumbles on it all have a reason to fight for her.

The Dead Three in Baldur's Gate

Bane is the god of tyranny and the Dead Three's mastermind. Bhaal is the lord of murder, barely restrained by the other two. Myrkul is a god of the dead who gathers secrets from tormented spirits. All three have cults in Baldur's Gate, detailed in The Dead Three Cults. A character can oppose them out of faith in Kelemvor, Tyr, or Torm, or because a cult already took someone from them. The Scion of the Three rogue subclass and the Crown of Horns show how closely the setting ties these gods to player options and treasure.

Questions to Ask Your GM About Faith

Ask only enough to make the connection usable:

• Is there a temple, shrine, sacred grove, or regular festival near the starting location?
• Does my character know a priest, caretaker, relative, or elder connected to it?
• Is faith here mostly private, public, politically powerful, or different from neighborhood to neighborhood?
• What does an ordinary person here do when they need luck, safety, healing, or a funeral?
• Is there any deity or practice the campaign would rather avoid as a major subject?

The last question is part of good session-zero practice. Religion can touch grief, trauma, illness, and personal experience, so agree on the tone before it comes up.

Forgotten Realms Magic

Magic in the Realms is more than a spell list. It shapes travel, religion, politics, old ruins, and the hazards people learn to respect. A Wizard might care who built a ward. A Ranger might know a trail where magic misbehaves. A Fighter may have survived because a village's old protection held one more night.

Keep setting context and player rules separate. The Weave, mythals, and dead magic zones make a place or problem memorable. They grant a character nothing unless an option, adventure, or rule says so. Circle magic is the exception in this section: Heroes of Faerun gives it real rules.

The Weave

Heroes of Faerun describes the Weave as the raw material of magic, flowing through all things and normally invisible except through spells. Mystra is its keeper. Each time the god of magic died or lost her divinity, magic twisted or failed, and after the Spellplague the Weave was thought destroyed until the Second Sundering restored both Mystra and reliable magic.

In most campaigns, use the Weave to explain consequences. A caster who throws obvious magic around may draw attention in a suspicious city. A ruined tower is dangerous because someone damaged protections that still matter. A community keeps rituals around a well or bridge because magic is part of its history. Noncasters have a role too: the person finding a safe route, recognizing a local custom, or deciding whether to trust a magical expert is part of the problem.

Spellfire

The book calls spellfire the raw energy of the Weave, a gift given to a handful of people each generation. It can appear as silver light, healing energy, magic absorption, or a blue-white jet of radiance. Spellfire Sorcery is its strongest form, and any class can show a connection through the Spellfire Spark origin feat and the Spellfire Adept general feat. The Spellfire Initiate background grants Spellfire Spark. For mechanics, use the Sorcerer guide and the option's own text.

Treat spellfire as a specific origin with a cost and a reputation, not something every magical character can claim. Decide who saw it first, who taught your character caution, and what they fear if it shows in public. Good hooks involve the group:

• A family friend helped hide the first incident and now needs the party's help.
• A local official remembers an earlier spellfire disaster and does not trust the character.
• A ruined site reacted to the character's power, and they want to know why.
• A party member helped them through a frightening first manifestation.

Wild Magic and Dead Magic

Wild magic zones form where the Weave is warped or frayed, from disasters such as the Time of Troubles, the Spellplague, and the Second Sundering, or near a mythal. They usually go unnoticed until a spell goes wrong. Dead magic zones form where the Weave is torn, often where great magic was shattered, an Artifact destroyed, or a god slain. The ruins of Myth Drannor hold large ones. The rules for both are in chapter 3 of the Dungeon Master's Guide.

Both force the party to rethink a familiar plan: a magical lock may not respond, a ritual needs another approach, or the martial characters take the lead. Ask clear questions at the table: "Can my character tell this place affects magic?" and "What can we learn safely before committing resources?" For backstory, someone raised near wild magic might be patient with uncertainty, and someone who lost their magic in a dead zone might be wary of relying on it. The Dead Magic Dweller background builds on that idea.

High Magic and Mythals

High magic is an old elven system in which many casters, sometimes hundreds, work together for days or weeks to achieve effects beyond ordinary spellcasting, such as raising Evermeet from the sea or creating mythals. Most of it was thought lost, and few living casters know its secrets.

A mythal is a permanent field of overlapping wards that binds the Weave in one place, sometimes strong enough to rewrite local rules. Most restrict certain magic, such as teleportation or Conjuration spells. Evereska's mythal affects the weather and wards against disease, and Myth Nantar's makes its waters breathable. The book compares a mythal to a living creation that can strengthen, weaken, heal, or die. Each active mythal has people attuned to it, and adventurers are most likely to meet damaged or failing ones in ruins. Any elven city with "Myth" in its name has or had one.

For players, the practical question is what a place expects of you. Your character can research local stories, watch what changes at the boundary, or ask who benefits from the protection. A mythal is never a portable reward for a character sheet, though the Mythalkeeper background and Mythal Touched feat give characters a personal tie to one.

Circle Magic Rules

Circle magic is a technique first developed by elves and later reinvented by casters in Thay and Rashemen. Heroes of Faerun gives it full rules:

• Eligible spells. Any spell with a casting time of an action or 1 minute or longer that uses a spell slot.
• Casters. One primary caster starts the spell with a Magic action and chooses one circle casting option. One or more secondary casters, each with Spellcasting or Pact Magic and within 30 feet, contribute with their own Magic actions.
• Failure. If a circle spell fails, nothing happens and no spell slot or consumed material is spent.
• Options. Augment extends range, Distribute shares Concentration among the casters, Expand grows the area, and Prolong extends the duration. The chapter lists two more, Safeguard and Supplant. Some options require each secondary caster to spend a spell slot, and some spells have their own "Casting as a Circle Spell" effect.

At the table, circle magic makes powerful magic a shared scene. Other characters guard the site, find materials, persuade a reluctant helper, or decide whether the working should happen at all. Give it a goal and a risk, such as stabilizing a ward, holding a storm away from a village, or revealing what a ruin hides. Read the full procedure in the book before building an encounter around it.

New Forgotten Realms Spells

Heroes of Faerun adds nineteen spells. The D&D 2024 Spell Guides list each one's printed class availability. Detailed ratings and build comparisons are still in progress, so check the book text with your GM before a choice that depends on one spell.

The spell guides help with character choices. This section explains why a magical site, a spellfire incident, or a local fear of magic matters in the campaign.

Notable Faerun Magic Items

Adventures in Faerun chapter 8 adds setting-specific items that work best as story hooks. For rarity, attunement, and Artifact rules, see the Best D&D 2024 Magic Items guide.

• Calimemnon Crystal (Artifact). A sixty-sided diamond made with high elf magic that imprisons the genie lords Calim and Memnon, along with more than a hundred other genies. It belongs at the center of a Calimshan arc.
• Crown of Horns (Artifact, cursed). Holds the essence of Myrkul and gradually transforms its wearer into a Lich under the DM's control. It ties straight into a Baldur's Gate campaign against the Dead Three.
• Harper Pin (Uncommon silver or Rare golden). Attuning lets a Harper adopt a persona. The silver pin shows mind readers a prepared line of thought, and the golden pin grants a lasting Nondetection effect.
• Mechanical Wonder (rarity varies). Wind-up devices from Calimshan's workshops, from the Domestic Wonder up to the Rare, wagon-sized Gyrocopter Wonder that works as a vehicle.
• Orb of Damara (Artifact). Made by a wizard who wanted to become a dragon, with help from an aspect of Tiamat in disguise. It grants Dragon's Breath and other powers, and swallowing it turns you into an adult chromatic dragon under the DM's control. It is best as a prize a villain covets. The Tomb of Damara adventure sits near Shadowdale.
• Tome of the Dragon (Legendary). A Cult of the Dragon ritual book for turning a dragon into a dracolich. Using it takes a caster with at least two level 5 spell slots (or a dragon), an adult or ancient dragon's body, 80,000 GP of supplies, and a long ritual, which keeps it in plot-device territory.
• Windskiff (Rare). Jewelry that turns into a small sail-powered personal vehicle for up to an hour. It suits Moonshae travel. See the Mounts & Vehicles guide for vehicle rules.

Build a Magic Connection That Helps the Party

Choose one answer from each line and keep it short:

A character does not need to say, "I understand the Weave." They can say, "A ward kept my neighborhood safe until someone tried to use it as a bargaining chip. I want to know who did that, and I need people I trust when we find them." That gives the whole group a reason to act.

Running a Forgotten Realms Campaign

Each region chapter in Adventures in Faerun follows the same pattern: people, magic, a gazetteer, story advice, conflicts with a level-by-level arc, a DM's toolbox with renown and Bastion options, and short adventures. That makes the regions easy to compare when a DM chooses a campaign frame.

Three habits make any of these work:

• Let faith and factions create scenes. A shrine needs repair after a storm, a family needs help with a funeral, a festival fills a town with rivals, or a faction contact sends a late message. Avoid letting a belief or loyalty shut down the party's plan. "I do not like this plan because it breaks a promise. Can we protect that person and still get what we need?" keeps the player in the conversation.
• Introduce one institution at a time. One contact, one request, and one complication per session is enough.
• Scale the opening to the region. Local trouble in the Dalelands, a supply-limited trip in Icewind Dale, a caravan job in Calimshan, a crossing in the Moonshaes, a neighborhood problem in Baldur's Gate.

Hot Take: Start new groups in the Dalelands, not Baldur's Gate. The city has the name recognition from the video game, but its best material (Parliament intrigue, crews, a three-cult conspiracy) rewards players who already know how to push on institutions. The Dalelands arc hands a party a ruined village to rebuild and a seat at the Dales Council, which teaches new players to care about a place before the campaign asks them to navigate one. Move to Baldur's Gate once the table wants to spend a session in a meeting room.

Source Scope

This guide is checked against Forgotten Realms: Heroes of Faerun (character options, the Realms overview, gods, magic and circle magic, spells, and factions) and Forgotten Realms: Adventures in Faerun (the five region chapters, the Baldur's Gate power structure, magic items). Settlement details, names, and rulers follow those books as printed. Where the books leave a detail open, this guide stays general. Use the linked rules guides and the book text for any mechanic that affects a character sheet.

Related Guides

• D&D 2024 Class Guides
• D&D 2024 Backgrounds
• D&D 2024 Feat Guides
• D&D 2024 Species Guides
• D&D 2024 Spell Guides
• Best D&D 2024 Magic Items
• Eberron for D&D 2024
• Ravenloft for D&D 2024